On Learning And Breaking The Rule Of Thirds In Your Photography

September 20, 2011 by  
Filed under Uncategorized

The rule of thirds is a tool utilized by photography enthusiasts to frame their shots. It splits the frame with a tic-tac-toe grid, leaving nine similarly-sized sections. Photographers utilize the two vertical and two horizontal lines, in addition to their points of intersection, to create pictures that are engaging to viewers. This makes it much easier for starting photographers to frame their shots like the pros, and it will also help if you later if you decide to frame your image or get into custom poster printing.

So beneficial is this composition guideline that some digital camera manufacturers provide a function that exhibits the rule of thirds lines straight onto the viewfinder. This makes it much simpler for newbie digital photographers to frame their images much like the professionals.

The notion behind the rule of thirds is the fact that a person’s attention is drawn to certain areas of any provided photos. These regions are separated by the grid’s lines and their crossing points. Beneath, we will describe how to control the grid to create images that draw your audience in and at the same time bettering the emotive impact of your images. You will additionally discover the value of breaking the rule so that you can achieve remarkable effects.

All Intersections Aren’t Created Equally

Even though the tic-tac-toe grid splits your framework into a symmetrical layout, some areas have more attracting power than others. However their power depends mostly on the components in your frame

For instance, if your shot contains a solitary subject, putting your model on the grid’s left vertical line is going to have the greatest effect on viewers. On the other hand, if your shot contains two or more subjects, your principal subject should be put on the bottom right intersection. There are exceptions, which we will investigate in the next two segments.

Vertical Lines And The Model’s Sight Line

Positioning of your subject on the rule of thirds grid ought to be determined by the direction in which they’re looking. Recall that a single subject ought to typically be positioned on the left line since that is the place where a viewer’s attention is initially drawn. On the other hand, if your model is looking toward the left of your framework, they ought to be placed on the right line. If your subject is looking directly at the sky, she or he should be placed on the left line, but close to the bottom left point of intersection. This enables more space for the individuals line of sight.

The Rule Of Thirds And Shifting Subject Matter

Another circumstance leading to exceptions to the rule of thirds involves shooting a moving subject. Here, positioning of your subject matter on the tic-tac-toe grid follows the exact same general rule as that employed for your model’s line of sight. In this case, the path of motion needs to be considered.

For instance, suppose you are shooting a cross-country athlete. If the person remained fixed, you might normally position them on the grid’s left line to draw the viewer’s eyes. If your subject matter is running toward the right side of your frame, this placement is still appropriate

But imagine your athlete is moving toward the left side of your frame. In this case, she or he ought to be positioned on the right line, giving your subject matter more room to run. The exact same basic principle holds true for cars, trains, animals, or other shifting subject.

This approach seems to contradict the rule of thirds. But it provides a helpful tutorial in the value of setting the rule to one side to generate a more engaging, remarkable photo.

Trying Out New Placements In Your Digital Photography

Like all compositional tips, the rule of thirds should be recognized, but overlooked whenever doing so makes a superior shot. Try things out. Position items in areas of your framework that appear counterproductive.You’ll discover that some of your models are more engaging when they are placed in the center. You will find that a few of your shots are far more intriguing when they’re shot from perspectives that appear to totally overlook the rule of thirds (or any suggestions). The sole way to stumble across uniquely remarkable compositions is to experiment. And sometimes, that means breaking protocol. 

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